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Time, I think, to admit defeat. Probably I shouldn't say this, but I don't like doing these. I often end up aiming for a passport photograph, albeit at massively overdone resolution, in an attempt to get something neutral that the client likes. And inevitably, and unsurprisingly, they aren't that happy with the pictures. They're in focus, exposed correctly... and lifeless. Seeing them, the client can articulate what they don't like, but not what they do. I look at these and haven't a clue which ones are better or worse than any others by any objective standard - I know which ones I like, and I could probably say why, but that's just my view and it isn't right or wrong.

So, anyway, I'm done with them - in future when people ask if I take them I'm going to say "you know what? No, I don't."

Here's a photo that couldn't be further from a headshot, just to get me moving on:

UPDATE: Turns out I lied. About an hour and a half after posting the above someone called me asking for headshots saying that I had been recommended. Did I turn them down? No, I jumped on the pony again for another race around that particular track.


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My trouble is

when I'm confronted with a request for headshots, say, I can't just stop there I have to start experimenting. I mean, you wouldn't put this on Spotlight or the IMDb now would you? Ah well, I wouldn't do it if I couldn't, if you see what I mean. Above is the ever-beautiful Claire-Monique Martin taken on Friday. Other photographs were procured.

Trump'ed on

You're probably sick of reading Niemöller's quote but here it is again - why not have another butcher's':

"First they came for the Socialists, and I did not speak out—
Because I was not a Socialist.

Then they came for the Trade Unionists, and I did not speak out— 
Because I was not a Trade Unionist.

Then they came for the Jews, and I did not speak out— 
Because I was not a Jew.

Then they came for me—and there was no one left to speak for me."

(from The Holocaust Encyclopedia).

I've read it so many times throughout my life that when it appeared in my Facebook feed I'd roll my eyes and scroll past wondering why some unimaginative ass had bothered to post it yet again - didn't we all already know it off by bloody heart?

And now here I am, another unimaginative ass, posting it on the web and ensuring that both my readers are pissed off and bored. Only it does have a new urgency now doesn't it? I mean with The Orange One in power it becomes resonant again…

Waltercio Caldas

Portrait taken at Cecilia Brunson Project, Bermondsey.

From Wikipedia:

Waltércio Caldas Júnior (born 6 November 1946), also known as Waltércio Caldas, is a Brazilian sculptor, designer, and graphic artist. Caldas is best known as part of Brazil's Neo-Concretism movement as well as for his eclectic choices in materials.