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Magazine 5: Creative Review December 2016




Continuing the series of photographs of photographs of magazines - double exposures taken using a Fuji X-Pro2. Sometimes I draw or rip or screw up as well, but not in the case of the above two pictures. I had some doubts about tearing up an expensive magazine but then I figured I only put them in recycling anyway so why not? Besides, playing with them is more fun than flicking through them, which I've generally done in any case by the time I get to making things like the above. I do worry that perhaps the pictures I make are not sufficiently far from the original pictures to warrant posting them on the web and sometimes I decide that they're too dependent on the original image for their meaning or their beauty and in those cases I won't post them; the ones on here are the ones that have made it through this filtering stage, though feel free to disagree with me in the comments if you think I'm blatantly ripping people off; on a bad day I'll sometimes even agree with you :)

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My trouble is

when I'm confronted with a request for headshots, say, I can't just stop there I have to start experimenting. I mean, you wouldn't put this on Spotlight or the IMDb now would you? Ah well, I wouldn't do it if I couldn't, if you see what I mean. Above is the ever-beautiful Claire-Monique Martin taken on Friday. Other photographs were procured.

Trump'ed on

You're probably sick of reading Niemöller's quote but here it is again - why not have another butcher's':

"First they came for the Socialists, and I did not speak out—
Because I was not a Socialist.

Then they came for the Trade Unionists, and I did not speak out— 
Because I was not a Trade Unionist.

Then they came for the Jews, and I did not speak out— 
Because I was not a Jew.

Then they came for me—and there was no one left to speak for me."

(from The Holocaust Encyclopedia).

I've read it so many times throughout my life that when it appeared in my Facebook feed I'd roll my eyes and scroll past wondering why some unimaginative ass had bothered to post it yet again - didn't we all already know it off by bloody heart?

And now here I am, another unimaginative ass, posting it on the web and ensuring that both my readers are pissed off and bored. Only it does have a new urgency now doesn't it? I mean with The Orange One in power it becomes resonant again…

Waltercio Caldas

Portrait taken at Cecilia Brunson Project, Bermondsey.

From Wikipedia:

Waltércio Caldas Júnior (born 6 November 1946), also known as Waltércio Caldas, is a Brazilian sculptor, designer, and graphic artist. Caldas is best known as part of Brazil's Neo-Concretism movement as well as for his eclectic choices in materials.